Noone seems to do it anymore, but it used to work quite well to do two passes in telecine. This will keep the alpha channel intact so you can comp it over other stuff in FCP. ![]() To answer your question about the background being "black," you can export the keyed layer from AE as a QuickTime using the PNG compressor. I would only make minor adjustments here to preserve your color tweaking options in Color. However, you will probably need to do some color tweaking to the image to get it to match the background plate. ![]() It's the very last step prior to final output / downconvert / MPEG2 compression for DVD, etc. Normally, color correction is never done until the show is completely finished with all visual effects added. The color correction would be done in Color. Yes, I know that technically FCP can do basic compositing, but you'll have more control over the final comp in software that is better suited for the task. ![]() Final Cut Pro is an editor as far as I'm concerned, not compositing software. You would both pull the key and do the final composite within After Effects.
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